{"title":"Decor","description":"\u003cp\u003eWall art, figurines, planters and small pieces made in India's craft clusters.\u003c\/p\u003e","products":[{"product_id":"kalighat-ganesha-art-print-by-samir-chitrakar","title":"Kalighat Ganesha Art Print by Samir Chitrakar","description":"\u003cp\u003e\u003cem\u003eKalighat painting emerged on the lanes outside Kolkata's Kali temple in the 19th century, where Patua scroll painters adapted their folk tradition for a new urban audience, bold outlines, flat color fills, expressive single figures. This print of Ganesha was created in collaboration with Samir Chitrakar, a Kolkata-based artist from the Patua community who has carried this tradition through decades of practice. Mustard, maroon, green, and black, the palette is unmistakably Kalighat.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eKalighat painting is a Kolkata original, a folk form that grew up outside the city's oldest temple, where Patua artists from Bengal's scroll-painting tradition began producing single figures on paper for urban buyers in the 1800s. The style is defined by its brushwork: bold, sweeping, economical. Each figure contains more feeling than detail. This Ganesha print was developed with Samir Chitrakar, whose family has worked in this tradition for generations.\u003c\/p\u003e\u003cp\u003eUnframed and printed on paper, it is the kind of artwork that works harder than its size suggests. Frame it simply. Set it on a shelf leaning against the wall. The mustard and maroon hold their warmth across a room.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKalighat Style · Kolkata · Patua Tradition · Artist Collaboration\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNatural Materials\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCollection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThe Art Wall\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cstrong\u003eCare Instructions\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eDust gently with a dry, soft cloth, do not wet.\u003c\/li\u003e\n\u003cli\u003eHang away from direct sunlight to preserve colours and mirror adhesion.\u003c\/li\u003e\n\u003cli\u003eHandle with care, the mirror inlay is fragile.\u003c\/li\u003e\n\u003cli\u003eDo not clean with water or any liquid cleaner.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"House of Taraasha","offers":[{"title":"5.8\" W X 8.3\" H","offer_id":52661985640664,"sku":"HOT-WAR-001","price":389.0,"currency_code":"INR","in_stock":true},{"title":"8.3\" W X 11.7\" H","offer_id":52661985673432,"sku":"HOT-WAR-001-2","price":489.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0845\/6463\/9960\/files\/lifestyle_1_30a961b6-3b7e-438f-95ca-f05bc066dade.png?v=1791780064"},{"product_id":"gond-forest-ganesha-tribal-art-print","title":"Gond Forest Ganesha Tribal Art Print","description":"\u003cp\u003e\u003cem\u003eGond art belongs to the Gondi people of Central India, a visual language built on the belief that every living thing carries a spirit, expressed through interlocking dots, patterns, and forms that fill every inch of a composition. This Ganesha was created in collaboration with a Gond artist, reimagining the deity through the forest-world that Gond art has always inhabited. Green, blue, black, beige: the colors of earth and canopy.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe Gond peoples of Central India have a visual tradition that operates on an entirely different logic than classical Indian art, everything is patterned, everything is inhabited, empty space is not a concept that exists. Trees are filled with birds; figures are filled with texture; the eye never rests. This handmade print places Ganesha inside that world, the deity reimagined through Gond idiom in collaboration with a Gond artist.\u003c\/p\u003e\u003cp\u003eIt reads as both ancient and contemporary, the kind of handcrafted work that holds its own in a modern interior precisely because it comes from a worldview that has never tried to be modern. Frame it or leave it unframed. Either way, it holds the wall.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGond Tribal Art · Central India · Artist Collaboration · Artisanal Art Print on Paper\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNatural Materials\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCollection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThe Art Wall\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cstrong\u003eCare Instructions\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eDust gently with a dry, soft cloth, do not wet.\u003c\/li\u003e\n\u003cli\u003eHang away from direct sunlight to preserve colours and mirror adhesion.\u003c\/li\u003e\n\u003cli\u003eHandle with care, the mirror inlay is fragile.\u003c\/li\u003e\n\u003cli\u003eDo not clean with water or any liquid cleaner.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"House of Taraasha","offers":[{"title":"5.8\" W X 8.3\" H","offer_id":52661985706200,"sku":"HOT-WAR-002","price":349.0,"currency_code":"INR","in_stock":true},{"title":"8.3\" W X 11.7\" H","offer_id":52661985738968,"sku":"HOT-WAR-002-2","price":439.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0845\/6463\/9960\/files\/lifestyle_1_7a3720e7-fde7-419f-b026-8350ccbbbdb4.png?v=1791780066"},{"product_id":"natural-brown-kashmiri-willow-wicker-planter","title":"Natural Brown Kashmiri Willow Wicker Planter","description":"\u003cp\u003e\u003cem\u003eFrom the Ganderbal region of Kashmir, where willow trees grow along the valley floors and artisans have woven their branches into baskets and vessels for centuries. Known locally as Keani Keam work, this tradition transforms harvested willow into tightly woven forms that are as structural as they are tactile. The natural brown is the color of the willow itself, no dye, no treatment, just the plant.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eKashmir's willow wicker tradition, Keani Keam, is one of the quieter craft inheritances of the subcontinent. Artisans from the Ganderbal region harvest willow branches from the valley and weave them into forms that balance utility and visual restraint. This planter pairs woven willow with a natural wood base: two materials, both unfinished, both honest about what they are.\u003c\/p\u003e\u003cp\u003eSet a small plant inside it, a succulent, a trailing vine, a pothos, and the combination of live green against natural brown is one of those arrangements that looks like it took no effort but took all the right instincts. The weave is tight enough to hold its shape. The basket is sturdy in the way handmade objects are sturdy: dense and settled.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKashmiri Willow Wicker · Ganderbal, Kashmir · Keani Keam Tradition · Natural Willow\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e6 x 6 x 4 inches\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNatural Materials\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCollection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThe Wicker House\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cstrong\u003eCare Instructions\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eWipe with a soft, dry cloth.\u003c\/li\u003e\n\u003cli\u003eStore away from direct sunlight and moisture.\u003c\/li\u003e\n\u003cli\u003eHandle with care, handmade objects have natural variation.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"House of Taraasha","offers":[{"title":"Pack of 1","offer_id":52661985804504,"sku":"HOT-PLT-001","price":919.0,"currency_code":"INR","in_stock":true},{"title":"Pack of 2","offer_id":52661985837272,"sku":"HOT-PLT-001-2","price":1079.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0845\/6463\/9960\/files\/lifestyle_1_bbf676b0-890f-4862-8d80-2ae424d8cca0.png?v=1791780067"},{"product_id":"kerala-mural-ganesha-temple-art-print","title":"Kerala Mural Ganesha Temple Art Print","description":"\u003cp\u003e\u003cem\u003eKerala mural painting is one of India's oldest continuous visual traditions, found on temple walls across Kerala, the style is defined by its rich earth pigments, intricate line work, and strict iconographic conventions governing every detail of a figure's pose, color, and ornament. This print of Ganesha was created in collaboration with Prince Thonnakkal, a mural artist trained in the traditional Kerala method. He holds a palm-leaf umbrella. The maroon and green palette is unmistakably Kerala.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe murals of Kerala's temples are among the most formally demanding works in Indian visual history, every proportion, every gesture, every color carries codified meaning built up over centuries of devotional practice. This print adapts that tradition for paper, created with Kerala-based mural artist Prince Thonnakkal, who trained in the conventional methods and has carried them into contemporary collaboration.\u003c\/p\u003e\u003cp\u003eGanesha is seated here in a pose the mural tradition prescribes, holding a palm-leaf umbrella, a detail that reads as both specific and mythologically loaded. The greens, maroons, and blacks of the Kerala palette ground the image. Frame it in simple wood and it holds its own beside any object in the house.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKerala Mural Style · Temple Art Tradition · Artist Collaboration · Art Print on Paper\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNatural Materials\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCollection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThe Art Wall\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cstrong\u003eCare Instructions\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eDust gently with a dry, soft cloth, do not wet.\u003c\/li\u003e\n\u003cli\u003eHang away from direct sunlight to preserve colours and mirror adhesion.\u003c\/li\u003e\n\u003cli\u003eHandle with care, the mirror inlay is fragile.\u003c\/li\u003e\n\u003cli\u003eDo not clean with water or any liquid cleaner.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"House of Taraasha","offers":[{"title":"5.8\" W X 8.3\" H","offer_id":52661985870040,"sku":"HOT-WAR-003","price":389.0,"currency_code":"INR","in_stock":true},{"title":"8.3\" W X 11.7\" H","offer_id":52661985902808,"sku":"HOT-WAR-003-2","price":489.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0845\/6463\/9960\/files\/lifestyle_1_1749063d-8046-4309-8aac-aae21ec68e9b.png?v=1791780067"},{"product_id":"rust-and-brown-kashmiri-willow-wicker-planters","title":"Rust and Brown Kashmiri Willow Wicker Planters","description":"\u003cp\u003e\u003cem\u003eWoven in the Ganderbal region of Kashmir using the willow-weaving tradition known locally as Keani Keam, these planters draw their color from natural willow and a rust wash applied by the artisans themselves. The color relationship between rust and natural brown is the kind that improves when the two are placed together, each making the other look more itself.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThis pair of handcrafted Kashmiri willow wicker planters comes from the Ganderbal valley, where artisans weave harvested willow into tightly structured vessels using the Keani Keam tradition. The rust-and-natural-brown combination works because it is not decorative in a forced sense, the rust wash deepens the natural willow color rather than overriding it, and the two planters function as a pair while remaining visually distinct.\u003c\/p\u003e\u003cp\u003ePlace them together on a shelf or bookcase, offset by a few inches. Put different plants inside them. The difference in color reads as collected rather than matched, which is always the more interesting arrangement.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKashmiri Willow Wicker · Ganderbal, Kashmir · Keani Keam Tradition · Rust and Natural\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e6 x 6 x 4 inches\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNatural Materials\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCollection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThe Wicker House\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cstrong\u003eCare Instructions\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eWipe with a soft, dry cloth.\u003c\/li\u003e\n\u003cli\u003eStore away from direct sunlight and moisture.\u003c\/li\u003e\n\u003cli\u003eHandle with care, handmade objects of artisanal craft have natural variation.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"House of Taraasha","offers":[{"title":"Pack of 1","offer_id":52661985968344,"sku":"HOT-PLT-002","price":919.0,"currency_code":"INR","in_stock":true},{"title":"Pack of 2","offer_id":52661986001112,"sku":"HOT-PLT-002-2","price":1619.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0845\/6463\/9960\/files\/lifestyle_1_cf67ed11-b4a6-4159-b231-576dcfdb37db.png?v=1791780069"},{"product_id":"dhokra-bankura-horse-lost-wax-metal-figurine","title":"Dhokra Bankura Horse Lost-Wax Metal Figurine","description":"\u003cp\u003e\u003cem\u003eMade using the lost-wax Dhokra casting process, the same technique used to create the Dancing Girl of Mohenjo-Daro, more than 4,000 years ago. Artisans in Bastar, Chhattisgarh model the horse in wax over a clay core, pack it in clay, fire the mold, and pour molten metal in. The wax is lost; the form survives. Each piece bears the exact impression of the wax original: every mark, every decision, permanent.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe Bankura horse is one of the great recurring images of Indian folk art, a stylized, strong-necked form associated with the Sun god, made across the tribal belt of Central India for ritual and devotional use. This version is cast in the 4,000-year-old Dhokra tradition: lost-wax casting, the technique traceable to the Indus Valley Civilization, still practiced by the tribal metalworkers of Bastar, Chhattisgarh.\u003c\/p\u003e\u003cp\u003eThe horse is heavier than it looks. That is the point of Dhokra, the metal is solid, the impression precise, the surface carries the texture of the original wax model. Set it on a shelf, a console, or a mantel where the light can find it. The patina deepens with time. This is not a defect, it is the object becoming yours.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLost-Wax Dhokra Casting · Bastar, Chhattisgarh · 4,000-Year-Old Technique · Tribal Metal Art\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNatural Materials\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCollection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eTribal Stories\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cstrong\u003eCare Instructions\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eDust with a dry, soft cloth.\u003c\/li\u003e\n\u003cli\u003eDo not immerse in water.\u003c\/li\u003e\n\u003cli\u003ePolish brass figurines occasionally with a brass-cleaning cloth.\u003c\/li\u003e\n\u003cli\u003eIron figurines: apply a light coat of mineral oil to prevent rust.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"House of Taraasha","offers":[{"title":"Default Title","offer_id":52661986066648,"sku":"HOT-FIG-001","price":829.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0845\/6463\/9960\/files\/lifestyle_1_20936d25-26bf-458b-a968-1ba01a005e19.png?v=1791780070"},{"product_id":"brown-to-indigo-kashmiri-willow-wicker-planter","title":"Brown to Indigo Kashmiri Willow Wicker Planter","description":"\u003cp\u003e\u003cem\u003eFrom Ganderbal, Kashmir, the willow wicker tradition known as Keani Keam, practiced by artisans who harvest willow from the valley floor and weave it into form by hand. This planter inverts the ombre direction: natural brown at the top fading into indigo at the base. The dye is applied to the willow strips before weaving so the color is integral to the object, not a surface treatment.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThis planter from the Ganderbal region of Kashmir begins where the Indigo Ombre version ends, natural brown at the top, deepening into indigo at the base. The artisans of the Keani Keam tradition achieve this by dyeing specific willow strips before weaving begins, so the gradient is built into the structure of the piece rather than painted on afterward. The color sits inside the material.\u003c\/p\u003e\u003cp\u003eA single planter in brown-to-indigo reads as grounded and specific, more interesting on its own than most dip-dyed objects because the gradient is subtle and the weave texture complicates it. Set a trailing plant inside and let the leaves break above the natural brown rim.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKashmiri Willow Wicker · Ganderbal, Kashmir · Keani Keam Tradition · Brown to Indigo\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e6 x 6 x 4 inches\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNatural Materials\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCollection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThe Wicker House\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cstrong\u003eCare Instructions\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eWipe with a soft, dry cloth.\u003c\/li\u003e\n\u003cli\u003eStore away from direct sunlight and moisture.\u003c\/li\u003e\n\u003cli\u003eHandle with care, handmade objects have natural variation.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"House of Taraasha","offers":[{"title":"Default Title","offer_id":52661986296024,"sku":"HOT-PLT-004","price":929.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0845\/6463\/9960\/files\/lifestyle_1_3a522b37-707a-4c51-9519-6bff8adbcabe.png?v=1791780074"},{"product_id":"indigo-ombre-kashmiri-willow-wicker-planters","title":"Indigo Ombre Kashmiri Willow Wicker Planters","description":"\u003cp\u003e\u003cem\u003eWoven in the Ganderbal region of Kashmir using the Keani Keam willow wicker tradition, strips of harvested willow bent and woven by hand over a wood frame. The indigo-to-brown ombre is achieved by the artisans themselves, dying the upper willow strips in indigo before weaving so the gradient is structural, not painted on. It fades from the blue of a Kashmir sky into the brown of the willow itself.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eFrom the Ganderbal valley in Kashmir, where artisans weave harvested willow into Keani Keam baskets and vessels using a tradition unchanged for generations. This pair of planters introduces color through the willow itself, the upper strips are dyed in indigo before weaving, creating a gradient that fades from indigo at the top into natural brown at the base. The ombre is built into the structure, not applied over it.\u003c\/p\u003e\u003cp\u003eTwo planters, slightly different in how the gradient reads, because the dye and the weaving are both done by hand. Pair them together or separate them across a shelf. 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This terracotta replica is cast from natural clay using a hand-molded process, scaled up from the original square centimeter seal to a size that can be hung on a wall. The texture of the fired clay carries the impression of every original detail.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe elephant seals of the Harappan civilization are among the oldest surviving images of the animal in human art, pressed into soft clay tablets that were used for trade and record-keeping in cities along the Indus River around 2500 BCE. This terracotta replica is made from natural clay, cast by hand, and scaled up so the detail that was lost at stamp-size becomes legible at wall-art scale. It comes framed, with a provision for both hanging and standing.\u003c\/p\u003e\u003cp\u003eOn the wall it reads as artifact and art at once, a thing with an actual history, not a decorative reference to history. The terracotta surface has the warmth and grain of fired clay. 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This handcrafted piece brings that wall tradition directly: large, vivid, structured through geometry that is both ancient and compositionally alive.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eLippan work emerged in the homes of Kutch, Gujarat as a practical solution to a practical problem, how to make light fill a room when you have very little of it. Natural clay was pressed into geometric relief on interior walls, and hand-cut mirrors were set into the wet surface to multiply whatever lamplight existed. Over generations, the technique became its own artisanal art form, one of the most visually distinctive crafts in the Indian subcontinent.\u003c\/p\u003e\u003cp\u003eThis handmade wall piece is made directly in that tradition, in collaboration with artisans from Kutch who have practiced Lippan for their entire lives. In daylight the geometry and color are the story. 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The indigo and natural brown combination is achieved by dyeing specific willow strips before weaving, the color is structural, part of the object from its first woven row. Artisans from the Kashmir Valley have worked willow this way for generations, the technique passed within communities without formal documentation.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eFrom Ganderbal, Kashmir, where the willow grows along the valley floor and artisans weave it into Keani Keam vessels by hand. This single planter pairs indigo-dyed willow with natural brown willow in a two-tone pattern that is neither gradient nor stripe, the interplay of the two colors shifts depending on where the dyed strips fall in the weave. No two pieces read exactly the same.\u003c\/p\u003e\u003cp\u003eThe planter is compact enough for a windowsill or shelf but visually specific enough to hold its own without being surrounded by other things. 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Indigo-dyed willow strips are woven alongside natural brown willow, the color comes from within the material, not from paint or surface treatment applied afterward. Because each planter is woven independently, the distribution of indigo and brown varies across the three.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe Keani Keam tradition of Ganderbal, Kashmir produces objects that are consistent in method and variable in result, because the willow is woven by hand and the dye distribution shifts with each piece, no three planters in a set are quite the same. The indigo-and-brown combination holds across all three, but the proportion shifts: one piece might read more indigo, another more brown, a third balanced between them.\u003c\/p\u003e\u003cp\u003eArranged as a group on a shelf or ledge, the three register as a collection rather than a matched set. That small difference between them is not a quality problem, it is the evidence of the making. Put different plants in each one. 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This owl emerged from that same process, the same one that produced the Dancing Girl of Mohenjo-Daro. Hold it, and you feel the weight of that lineage.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe Dhokra artisans of Bastar have never needed a mould. Each figure begins in beeswax, sculpted by hand, then encased in clay and fired, the wax runs out, the brass runs in. No two pieces are identical. This owl, with its textured surface and slightly rough finish, is the direct imprint of that process.\u003c\/p\u003e\u003cp\u003eIn Hindu tradition, the owl is Lakshmi's vahana, her vehicle, her companion. Place it on a bookshelf, a mantle, or a corner of your desk where something needs watching over. It is not decorative in the passive sense. 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Then the tools became art. Lohshilp, wrought iron craft, evolved into figures: spare, angular, utterly assured. These two musicians carry that lineage in their silhouette.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eWrought iron from Bastar is worked by hand, heated, hammered, twisted into form. The artisanal Lohshilp tradition that produced these handcrafted figures is one of the oldest surviving craft forms in India, practiced by communities whose ancestors were the smiths of the tribal belt. The result is a spare, almost modernist aesthetic that was never designed to look modern, it just is.\u003c\/p\u003e\u003cp\u003eTwo musicians, standing. They ask for a surface with some space around them, a shelf, a console, a windowsill. Their silhouettes read from across the room. The iron will develop its own character over time.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLohshilp Wrought Iron · Hand-Hammered · Handmade · Bastar, Chhattisgarh · Tribal Craft\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNatural Materials\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCollection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eTribal Stories\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cstrong\u003eCare Instructions\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eDust with a dry, soft cloth.\u003c\/li\u003e\n\u003cli\u003eDo not immerse in water.\u003c\/li\u003e\n\u003cli\u003ePolish brass figurines occasionally with a brass-cleaning cloth.\u003c\/li\u003e\n\u003cli\u003eIron figurines: apply a light coat of mineral oil to prevent rust.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"House of Taraasha","offers":[{"title":"Default Title","offer_id":52661986656472,"sku":"HOT-FGI-001","price":879.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0845\/6463\/9960\/files\/lifestyle_1_07c90bfc-e6e8-4215-962b-529d268e90a2.png?v=1791780079"},{"product_id":"lippan-hut-mirror-white-clay-and-glass","title":"Lippan Hut Mirror White Clay and Glass","description":"\u003cp\u003e\u003cem\u003eDrive through the Rann of Kutch in Gujarat and you will see it on the exterior walls of bhungas, the round mud homes of the Rabari and Mutwa communities. Mud pressed into patterns, small mirrors set into the wet clay, catching light from the desert sun. Lippan Kaam. Women's work, considered auspicious, passed between generations without formal instruction.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThis wall mirror is made in Kutch, Gujarat, using Lippan Kaam, the mud-and-mirror art form traditionally practiced by women of the Rabari and Mutwa communities on the exterior walls of their homes. Clay is pressed into geometric patterns by hand; mirrors are embedded before it dries. The hut motif echoes the bhungas that inspired the design.\u003c\/p\u003e\u003cp\u003eHang it where it will catch some light, a hallway, a bedroom wall, a bathroom. The mirrors fracture and scatter whatever falls on them. The white clay ground makes the room feel cleaner. 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The red here reads like sindoor and soil. The black grounds it.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eMade by artisans in Kutch, Gujarat, this handcrafted wall panel uses the Lippan Kaam technique, clay worked by hand into relief patterns, mirrors embedded before the surface sets. The deep red and black colorway is richer in person than in photographs; the mirrors read differently depending on where the light comes from.\u003c\/p\u003e\u003cp\u003eIt works best on a neutral wall where the contrast can do its work. A narrow hallway. A reading corner. The space beside a door. Square format, clean geometry, this is handmade Lippan at its most considered.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLippan Kaam · Clay and Mirror · Kutch, Gujarat · Artisanal Women Artisans\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNatural Materials\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCollection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThe Art Wall\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cstrong\u003eCare Instructions\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eDust gently with a dry, soft cloth, do not wet.\u003c\/li\u003e\n\u003cli\u003eHang away from direct sunlight to preserve colours and mirror adhesion.\u003c\/li\u003e\n\u003cli\u003eHandle with care, the mirror inlay is fragile.\u003c\/li\u003e\n\u003cli\u003eDo not clean with water or any liquid cleaner.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"House of Taraasha","offers":[{"title":"18 inches X 18 inches","offer_id":52661986754776,"sku":"HOT-WAL-003","price":2159.0,"currency_code":"INR","in_stock":true},{"title":"12 inches X 12 inches","offer_id":52661986787544,"sku":"HOT-WAL-003-2","price":919.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0845\/6463\/9960\/files\/lifestyle_1_1278e7a9-b344-4e6b-a145-2ef7a2766daa.png?v=1791780080"},{"product_id":"ocean-blue-lippan-wall-hanging-kutch-mirror-work","title":"Ocean Blue Lippan Wall Hanging Kutch Mirror Work","description":"\u003cp\u003e\u003cem\u003eThe bhungas of Kutch, Gujarat, round mud homes built to survive earthquake and desert wind, are decorated on the outside with Lippan Kaam. Women press clay into the walls in swirling geometric patterns, set mirrors to catch the light. This hanging carries that architecture inside.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eLippan Kaam is practiced almost entirely by women, the Rabari, Kumbhar, Marwada, and Mutwa communities of Kutch, Gujarat, who learned it from their mothers and grandmothers as part of how a home is made auspicious. Clay is mixed to the right consistency, patterns are built up by hand in relief, and mirrors are pressed in before the surface sets. The ocean blue palette here is soothing in the way that water is.\u003c\/p\u003e\u003cp\u003eThis handcrafted piece is larger than most Lippan work and rewards space. A wall that gets afternoon light. A bedroom where you want something to look at from bed. 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Carved wooden blocks, natural dyes, cotton that takes the print and keeps it. This small pouch carries the scale of that tradition into something you hold in your hand.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003ePure cotton, quilted for structure, printed in Rajasthan's block-printing tradition. The red-and-blue repeat pattern was made by pressing a carved wooden block onto fabric, a process where slight inconsistencies in the impression are marks of the hand, not errors.\u003c\/p\u003e\u003cp\u003eSmall enough to slip into a bag within a bag. Use it for jewelry in transit, for charging cables, for anything that benefits from having its own contained world. 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It is the pouch that gets used every day without you noticing it, which is the point.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHand Block-Printed · Pure Cotton · Quilted · Rajasthan\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e8 x 7 x 4.5 inches\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNatural Materials\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCollection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThe Gift Room\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cstrong\u003eCare Instructions\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eWipe with a soft, dry cloth.\u003c\/li\u003e\n\u003cli\u003eStore away from direct sunlight and moisture.\u003c\/li\u003e\n\u003cli\u003eHandle with care, handmade objects have natural variation.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"House of Taraasha","offers":[{"title":"Default Title","offer_id":52661986885848,"sku":"HOT-POU-003","price":489.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0845\/6463\/9960\/files\/lifestyle_1_8f335c9d-7285-49e8-a60a-3d8a21925db9.png?v=1791780082"},{"product_id":"aqua-blue-lippan-wall-hanging-floral-motif","title":"Aqua Blue Lippan Wall Hanging Floral Motif","description":"\u003cp\u003e\u003cem\u003eLippan Kaam from Kutch, Gujarat takes its forms from the natural world, flora pressed into wet clay, mirrors set to catch desert light. The Rabari and Mutwa women who practice this art do not work from drawings. The pattern emerges from the hand, the clay, and what has been learned by watching.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eMade in Kutch, Gujarat by women artisans working in the Lippan Kaam tradition, this handcrafted wall hanging layers aqua and blue clay into a flowing plant motif, setting mirrors into the relief before the surface sets. The technique has been practiced on the walls of Kutchi bhungas for generations, this piece adapts the scale and geometry for a contemporary interior.\u003c\/p\u003e\u003cp\u003eThe palette is quiet and does not compete. It works in a bedroom that already has color, or on a white wall where it becomes the only color. 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Each woman brings her own geometry. This green and brown panel draws from that improvisational tradition: landscape colors, mirror light, clay worked by hand into something that references the earth it came from.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eMade in Kutch, Gujarat by artisans working in the Lippan Kaam tradition, this horizontal panel uses a green and brown palette that reads like forest floor and bark. Clay is worked into geometric relief by hand; mirrors are embedded before it sets. The rectangle format makes it adaptable, above a console, along a hallway, beside a doorframe.\u003c\/p\u003e\u003cp\u003eGreen and brown are colors that ask very little of the wall they hang on. 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That was 4,000 years ago. The Dhokra craftspeople of Bastar, Chhattisgarh never stopped. This Ganesha is cast in that same tradition: each handcrafted figure is a mould that will never be used twice.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eDhokra casting is a lost-wax process, the wax figure that the craftsperson sculpts is destroyed in the making of the final object. No mould survives. This handmade Ganesha was formed in beeswax, coated in layers of clay, and fired until the wax drained out and molten brass took its place. The texture you see on the surface is the record of that process.\u003c\/p\u003e\u003cp\u003eGanesha, in this form, is not decorative in the way a mass-produced figurine is decorative. There is something specific about an artisanal object that took days to make and exists as a single thing. Sit it anywhere. It will settle in.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDhokra Lost-Wax Cast · Bastar, Chhattisgarh · 4,000-Year Technique · Brass\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNatural Materials\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCollection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eTribal Stories\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cstrong\u003eCare Instructions\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eDust with a dry, soft cloth.\u003c\/li\u003e\n\u003cli\u003eDo not immerse in water.\u003c\/li\u003e\n\u003cli\u003ePolish brass figurines occasionally with a brass-cleaning cloth.\u003c\/li\u003e\n\u003cli\u003eIron figurines: apply a light coat of mineral oil to prevent rust.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"House of Taraasha","offers":[{"title":"Default Title","offer_id":52661986984152,"sku":"HOT-FIG-003","price":979.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0845\/6463\/9960\/files\/lifestyle_1_4d463c0d-1312-4dba-8331-a995cd6b2017.png?v=1791780084"},{"product_id":"harappan-bull-seal-molela-terracotta-replica","title":"Harappan Bull Seal Molela Terracotta Replica","description":"\u003cp\u003e\u003cem\u003eThe original seal was pressed into clay somewhere in the Indus Valley 4,000 years ago, a Zebu bull, chest thrown forward, dewlap loose. Molela, in Rajasthan, has been making terracotta figures using the same clay-working methods ever since. This replica is made there, by those hands.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe Bull Seal is one of the most recovered artifacts of the Harappan civilization, found across sites stretching from modern Afghanistan to southern Gujarat. It depicts the Zebu or Bos Indicus bull, native to the subcontinent and still found grazing through parts of Gujarat and Sindh. This replica is made by Molela artists in Rajasthan using traditional terracotta methods, the same class of material that produced the original.\u003c\/p\u003e\u003cp\u003eIt comes framed and hangs flat. It is an object with a 4,000-year provenance and the tactile quality of something made by hand from earth. 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Considered auspicious. Made by women. A practice of ornamentation as protection. This turquoise mirror brings that logic inside.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eMade in Kutch, Gujarat by artisans working in the Lippan Kaam tradition, this handmade mirror frame is built from clay pressed into geometric patterns by hand, with mirrors embedded before the surface sets. The turquoise pigment is warm and deeper in person than it photographs, it reads as something between a muted teal and a faded sky.\u003c\/p\u003e\u003cp\u003eA bathroom. A narrow entry. A wall beside a window. The mirrors that ring the handcrafted frame catch light and fracture it in small ways throughout the day. 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Ganderbal artisans work each strand over and under in a rhythm that is faster than it looks and slower than any machine.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThis planter is woven by hand from willow harvested in the Kashmir Valley, using the Keani Keam wicker tradition practiced by artisans in the Ganderbal region. The weave is tight and structural, it holds its shape, does not collapse under the weight of a pot, and develops a slight mellowing of the natural brown over time.\u003c\/p\u003e\u003cp\u003eSet a trailing plant inside and it reads as effortless. Set it empty on a shelf and it holds its own. 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Was it mythological? A lost species? The ritual bowl beneath suggests ceremony. Molela artisans in Rajasthan made this handcrafted replica from the same class of material, terracotta, shaped and fired by hand.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe Unicorn Seal is the most frequently recovered artifact of the Harappan civilization, more than 1,200 examples excavated across the Indus Valley, each pressed into clay by a person whose name we will never know. This handmade replica is made by Molela artisans in Rajasthan using traditional artisanal terracotta methods. It comes framed, ready to hang, at a scale that lets you actually look at the detail.\u003c\/p\u003e\u003cp\u003eThe object raises a question every time you look at it: what did they know that we do not? 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These round medallions compress that tradition into something that pairs, clusters, or stands alone.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eEach round piece is handcrafted in Kutch, Gujarat using the Lippan Kaam technique: clay worked into geometric relief, mirrors set before the surface dries. The pink is soft, not loud, not pastel, somewhere in between. Each medallion has mirror work on both faces, so they catch light from multiple angles when hung.\u003c\/p\u003e\u003cp\u003eThey come as a pair. Hang them together with space between them, or cluster them with other artisanal Lippan pieces on the same wall. 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The rust and indigo here are not painted on: they are woven in, strand by strand, by hand.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eWoven in Ganderbal, Kashmir, from willow wicker, this small planter uses the Keani Keam technique, a hand-weaving tradition that produces a tightly interlaced surface with real structural integrity. The rust and indigo strands are worked into the weave itself, not applied after; the color is part of the construction.\u003c\/p\u003e\u003cp\u003eSmall enough for a desk plant, a succulent, a propagation jar. Sits flat on any surface. 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In homes and workshops across Srinagar's old neighborhoods, craftspeople build objects from pulped paper, let them dry in layers, then spend more time painting them than making them. Intricate floral work, fine brushes, paint mixed to the right consistency by feel.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eMade in Srinagar, Kashmir, these three doves are built from papier-mâché, paper pulp pressed and layered into form, dried, then painted by hand with the fine-line floral patterns that define the Kashmiri tradition. Each is slightly different from the others; the painting cannot be perfectly reproduced.\u003c\/p\u003e\u003cp\u003eHang them in a window, on a doorframe, from a mantle hook. They are light and move slightly in a breeze. Three is not an accident, odd numbers create balance without symmetry. The palette is rich and works against both light and dark backgrounds.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKashmiri Papier-Mâché · Hand-Painted Florals · Srinagar, Kashmir · 14th-Century Craft\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNatural Materials\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCollection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThe Art Wall\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cstrong\u003eCare Instructions\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eDust gently with a dry, soft cloth, do not wet.\u003c\/li\u003e\n\u003cli\u003eHang away from direct sunlight to preserve colours and mirror adhesion.\u003c\/li\u003e\n\u003cli\u003eHandle with care, the mirror inlay is fragile.\u003c\/li\u003e\n\u003cli\u003eDo not clean with water or any liquid cleaner.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"House of Taraasha","offers":[{"title":"Default Title","offer_id":52661987311832,"sku":"HOT-WAR-007","price":1299.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0845\/6463\/9960\/files\/lifestyle_1_c27f5681-d123-4bf2-b985-29fe89b1fc57.png?v=1791780089"},{"product_id":"channapatna-lacquered-wooden-dolls-natural-dyes-pair","title":"Channapatna Lacquered Wooden Dolls Natural Dyes Pair","description":"\u003cp\u003e\u003cem\u003eChannapatna, outside Bangalore in Karnataka, has been the home of lacquered wood toys since Tipu Sultan invited Persian craftspeople here in the 18th century. The color palette has not changed: turmeric for yellow, kumkuma for red, indigo for black-blue. The wood spins on a lathe; the lacquer is applied while it turns.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThese two ornamental dolls are handcrafted in Channapatna, Karnataka, using an artisanal lacquered wood tradition that produces color from natural pigments, turmeric, kumkuma, and indigo, combined to make orange, green, and the particular warm black that characterizes this craft. The lacquer is applied by hand to spinning wood and sets as a smooth, slightly tactile surface.\u003c\/p\u003e\u003cp\u003eHang them by the string they come with, a window, a doorway, a hook beside a mirror. They are light and slightly glossy and catch eye without demanding attention. The colors will not fade in the way synthetic dyes do.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChannapatna Lacquered Wood · Natural Pigment Dyes · Handmade in Karnataka · Lathe-Turned\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNatural Materials\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCollection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eStill Light\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cstrong\u003eCare Instructions\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eWipe with a dry, soft cloth.\u003c\/li\u003e\n\u003cli\u003eDo not immerse in water or use liquid cleaners.\u003c\/li\u003e\n\u003cli\u003eRemove wax residue with a soft cloth while still warm.\u003c\/li\u003e\n\u003cli\u003ePolish metal surfaces occasionally with a soft brass cloth.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"House of Taraasha","offers":[{"title":"Default Title","offer_id":52661987344600,"sku":"HOT-ORN-001","price":439.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0845\/6463\/9960\/files\/lifestyle_1_c0120ead-15be-4bb4-8b15-1e9534af1a4f.png?v=1791780089"},{"product_id":"willow-wicker-planter-trio-rust-and-natural-brown","title":"Willow Wicker Planter Trio Rust and Natural Brown","description":"\u003cp\u003e\u003cem\u003eThe Keani Keam wicker tradition of Ganderbal, Kashmir is practiced by artisans who learned the weave from the generation before them. Willow from the valley, soaked to soften, worked over a wooden form, the result is a vessel that holds its shape without any fastener or frame.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThree planters, hand-woven from Kashmir Valley willow by artisans in Ganderbal, using the Keani Keam tradition. The rust and natural brown palette comes from the combination of natural willow and dyed strands worked into the weave. Each is identical in form but not in detail, the hand does not repeat exactly.\u003c\/p\u003e\u003cp\u003eUse them together on a windowsill, staggered on a shelf, or spread across different rooms. At this scale, a trio reads as intentional rather than accidental. The willow wicker is sturdy; the weave does not loosen with use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKeani Keam Wicker · Kashmir Valley Willow · Hand-Woven · Ganderbal, Kashmir\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e6 x 6 x 4 inches\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNatural Materials\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCollection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThe Wicker House\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cstrong\u003eCare Instructions\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eWipe with a soft, dry cloth.\u003c\/li\u003e\n\u003cli\u003eStore away from direct sunlight and moisture.\u003c\/li\u003e\n\u003cli\u003eHandle with care, handmade objects have natural variation.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"House of Taraasha","offers":[{"title":"Default Title","offer_id":52661987377368,"sku":"HOT-PLT-009","price":2699.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0845\/6463\/9960\/files\/lifestyle_1_d5b020d8-06e5-4a27-a9fc-950208f72028.png?v=1791780090"},{"product_id":"bastar-wrought-iron-seated-musicians-trio","title":"Bastar Wrought Iron Seated Musicians Trio","description":"\u003cp\u003e\u003cem\u003eFrom the iron-ore forests of Bastar, Chhattisgarh, the Lohshilp tradition produces figures that are deliberately minimal, heated metal shaped by hand into forms that suggest more than they state. Three musicians, seated. The silence between them is part of the composition.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eEach figure in this trio is handcrafted from wrought iron by craftspeople in Bastar, Chhattisgarh, where the Lohshilp tradition has been practiced since iron-smith communities first turned functional metalwork into art. The forms are angular and gestural, a lean, an instrument held, a posture that implies music without depicting it.\u003c\/p\u003e\u003cp\u003eThey occupy a surface the way a good handmade object should: quietly, but with enough presence that you notice when they're not there. Group them closely or space them apart, both work. 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These small hanging ornaments from Kutch, Gujarat carry that logic: mirror work on both faces, so they turn in the air and catch light from every angle. Women of the Rabari and Mutwa communities press clay, set mirrors, and let the surface dry into something permanent and sparkling.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eMade in Kutch, Gujarat using Lippan Kaam, clay worked into geometric relief by hand, mirrors set into the wet surface before it sets, these five ornaments are finished on both sides, so they read correctly however they hang. The pastel palette is quieter than the photographs suggest; in person, the mirrors provide all the brightness the piece needs.\u003c\/p\u003e\u003cp\u003eHang them at different heights on a plant, a doorframe, or a light fixture. Five is enough to fill space without crowding it. Each one turns independently and catches whatever light is moving through the room.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLippan Kaam · Clay and Mirror · Kutch, Gujarat · Women Artisans\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNatural Materials\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCollection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eStill Light\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cstrong\u003eCare Instructions\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eWipe with a dry, soft cloth.\u003c\/li\u003e\n\u003cli\u003eDo not immerse in water or use liquid cleaners.\u003c\/li\u003e\n\u003cli\u003eRemove wax residue with a soft cloth while still warm.\u003c\/li\u003e\n\u003cli\u003ePolish metal surfaces occasionally with a soft brass cloth.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"House of Taraasha","offers":[{"title":"Default Title","offer_id":52661987475672,"sku":"HOT-ORN-003","price":2169.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0845\/6463\/9960\/files\/lifestyle_1_6fec11b1-5caa-4cc9-af37-3ab9874774df.png?v=1791780091"},{"product_id":"persian-blue-lippan-wall-hanging-jodhpur-motif","title":"Persian Blue Lippan Wall Hanging Jodhpur Motif","description":"\u003cp\u003e\u003cem\u003eIn the Kutch region of Gujarat, Lippan Kaam is the tradition of women pressing clay into relief on the walls of their homes, geometric patterns set with fragments of mirror that catch the desert light. This large panel draws its palette from the blue architecture of Jodhpur: that particular shade of persian blue that reads differently at noon than it does at dusk.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eMade in Kutch, Gujarat by artisans working in the Lippan Kaam tradition, this large handcrafted wall hanging features a vertical plant motif in persian blue and white clay relief, with mirrors embedded by hand. The scale makes it substantial, a proper wall piece, not an accent. The blue deepens where the clay is thicker and lightens at the edges of the pattern.\u003c\/p\u003e\u003cp\u003eIt asks for a wall with some height and not much else on it. The mirrors will hold the attention of anyone who passes close enough to see them move.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLippan Kaam · Handmade Clay and Mirror · Kutch, Gujarat · Women Artisans\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNatural Materials\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCollection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThe Art Wall\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cstrong\u003eCare Instructions\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eDust gently with a dry, soft cloth, do not wet.\u003c\/li\u003e\n\u003cli\u003eHang away from direct sunlight to preserve colours and mirror adhesion.\u003c\/li\u003e\n\u003cli\u003eHandle with care, the artisanal mirror inlay is fragile.\u003c\/li\u003e\n\u003cli\u003eDo not clean with water or any liquid cleaner.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"House of Taraasha","offers":[{"title":"Default Title","offer_id":52661987508440,"sku":"HOT-WAL-010","price":2159.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0845\/6463\/9960\/files\/lifestyle_1_5bee1089-9b80-40dd-bd8c-2273db1eed43.png?v=1791780093"},{"product_id":"pattachitra-tree-of-life-national-award-artist-tussar-silk","title":"Pattachitra Tree of Life National Award Artist, Tussar Silk","description":"\u003cp\u003e\u003cem\u003ePuri, Odisha, the Jagannath temple town, has sustained Pattachitra, cloth painting, for centuries. Artists like Niranjan Moharana grind their own pigments, prepare the fabric with chalk and resin, and paint fine-line figures with brushes made from squirrel hair. This Tree of Life was made by his hand.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003ePattachitra, literally 'cloth painting', is an art form from the temple town of Puri in Odisha, practiced by hereditary artists who prepare their own surfaces and pigments. This Tree of Life is painted on Tussar silk by Niranjan Moharana, a National Award-winning artist. The lines are fine and the palette is the characteristic earthy warmth of traditional Pattachitra: ochre, terracotta, black, white derived from conch shell.\u003c\/p\u003e\u003cp\u003eThe Tree of Life motif appears across traditions, this version is specifically Odishan, with the hierarchical arrangement of birds and figures that characterizes the Puri school. Frame it or hang it as-is. 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Clay, mirrors, geometric patterns made by women who learned the technique without a single written instruction. This lime green mirror adaptation takes the wall of a Kutchi home and brings it inside.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eMade in Kutch, Gujarat by artisans working in the Lippan Kaam tradition, this mirror frame is built from clay pressed into geometric relief by hand, with mirrors set into the surface before it dries. The lime green is unexpected and specific, not mint, not yellow-green, but a particular shade that photographs slightly brighter than it is in person.\u003c\/p\u003e\u003cp\u003eA bathroom is the natural home for this piece. A bedroom wall. Anywhere you want color that earns its place by also being something. 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Lippan Kaam, the mud-and-mirror work that adorns their walls, uses locally sourced clay, pigmented with what the land provides. Brick red is not a choice for this palette: it is a given. Women of the Rabari and Mutwa communities have been pressing it into handcrafted geometric patterns for generations.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eMade in Kutch, Gujarat using the Lippan Kaam technique, this handmade mirror frame is built from clay worked into geometric patterns by hand, with mirrors set into the surface before it sets. The brick red is warm and deep, closer to terracotta than to orange, with the slight variation in tone that comes from clay that is not perfectly homogeneous.\u003c\/p\u003e\u003cp\u003eHang it where the color can be read: a white wall, a light-wood paneled space, a hallway with a window at the end. The hut motif in the artisanal clay relief is a reference to the bhungas that inspired this entire art form. The mirrors embedded in the frame will do the rest.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLippan Kaam · Clay and Mirror · Kutch, Gujarat · Women Artisans\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNatural Materials\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCollection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThe Art Wall\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cstrong\u003eCare Instructions\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eDust gently with a dry, soft cloth, do not wet.\u003c\/li\u003e\n\u003cli\u003eHang away from direct sunlight to preserve colours and mirror adhesion.\u003c\/li\u003e\n\u003cli\u003eHandle with care, the mirror inlay is fragile.\u003c\/li\u003e\n\u003cli\u003eDo not clean with water or any liquid cleaner.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"House of Taraasha","offers":[{"title":"Default Title","offer_id":52661987606744,"sku":"HOT-WAL-012","price":1299.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0845\/6463\/9960\/files\/lifestyle_1_6f07aedf-97e7-4f32-b43a-5303ad0b5f75.png?v=1791780094"},{"product_id":"channapatna-lacquered-snowman-ornaments-natural-dye-pair","title":"Channapatna Lacquered Snowman Ornaments Natural Dye Pair","description":"\u003cp\u003e\u003cem\u003eIn Channapatna, Karnataka, the wood is ivory wood, soft enough to turn on a lathe at speed, hard enough to hold detail. The lacquer is applied by hand while the piece spins; the pigments are turmeric, kumkuma, and indigo. A craft that is several hundred years old, making something that hangs on a winter tree.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eTurned on a lathe in Channapatna, Karnataka, and painted using the town's traditional artisanal natural pigment palette, these two handmade snowman ornaments represent the Channapatna craft at its most playful. The lacquer has a slight sheen; the colors are warm and slightly muted in the way natural dyes are, which is different from the brightness of synthetic versions.\u003c\/p\u003e\u003cp\u003eThey come with their own hanging strings. Tree ornaments, window ornaments, mantle ornaments, they work anywhere you want something small and specific. The pairing is not perfectly symmetrical because the painting is handcrafted.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChannapatna Lacquered Wood · Natural Pigment Dyes · Karnataka · Lathe-Turned\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNatural Materials\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCollection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eStill Light\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cstrong\u003eCare Instructions\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eWipe with a dry, soft cloth.\u003c\/li\u003e\n\u003cli\u003eDo not immerse in water or use liquid cleaners.\u003c\/li\u003e\n\u003cli\u003eRemove wax residue with a soft cloth while still warm.\u003c\/li\u003e\n\u003cli\u003ePolish metal surfaces occasionally with a soft brass cloth.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"House of Taraasha","offers":[{"title":"Default Title","offer_id":52661987639512,"sku":"HOT-ORN-002","price":909.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0845\/6463\/9960\/files\/lifestyle_1_4d2a7c68-6d92-4e5d-a7e7-f5ee409f3115.png?v=1791780094"},{"product_id":"lippan-wall-hanging-ocean-blue-and-white","title":"Lippan Wall Hanging Ocean Blue and White","description":"\u003cp\u003e\u003cem\u003eLippan Kaam in Kutch, Gujarat begins with clay and ends with light. Women of the Rabari, Kumbhar, Marwada, and Mutwa communities press geometric motifs into wet clay, flowers, chevrons, lattice, and embed mirrors before it dries. The motifs here draw from the palace architecture of Jodhpur: blue, white, considered geometry.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThis handcrafted wall hanging is made in Kutch, Gujarat by women artisans working in the Lippan Kaam tradition. The floral and geometric patterns are built up in handmade clay relief by hand; mirrors are embedded before the surface sets. The blue-and-white palette references the palace architecture of Jodhpur while the technique is entirely Kutchi.\u003c\/p\u003e\u003cp\u003eA bedroom wall. A reading nook. Any surface that gets changing light through the day. The mirrors are not a grid, they are distributed through the pattern, so the sparkle moves as the light changes. 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Artisans here work with raw clay and hand-set shisha glass to build each geometric pattern from the surface up. Hold this piece close and the mirrors catch the light like a hundred small suns.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThis wall disc comes from Kutch, Gujarat, where the Lippan tradition has lived inside homes and on the outer walls of bhungas for centuries. Artisans press natural clay onto a ply base, inset mirror fragments by hand, and layer geometric motifs inspired by the white desert landscape around them. The olive tone grounds the piece in earth without disappearing into it.\u003c\/p\u003e\u003cp\u003eHang it in a reading corner, above a low sideboard, or alongside other Lippan pieces in a salon wall. The clay surface is deliberately textural, you feel the relief when you run a finger across it. The mirrors shift in whatever light they catch, morning or evening, making the same wall look different twice a day.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLippan Mud Work · Hand-Set Mirror Inlay · Kutch, Gujarat · Clay on Ply\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNatural Materials\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCollection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThe Art Wall\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cstrong\u003eCare Instructions\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eDust gently with a dry, soft cloth, do not wet.\u003c\/li\u003e\n\u003cli\u003eHang away from direct sunlight to preserve colours and mirror adhesion.\u003c\/li\u003e\n\u003cli\u003eHandle with care, the mirror inlay is fragile.\u003c\/li\u003e\n\u003cli\u003eDo not clean with water or any liquid cleaner.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"House of Taraasha","offers":[{"title":"Default Title","offer_id":52661987705048,"sku":"HOT-WAL-013","price":649.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0845\/6463\/9960\/files\/lifestyle_1_55c2a75c-ad42-4d3c-8d21-1a6c54cde9ec.png?v=1791780095"},{"product_id":"brick-lippan-mud-mirror-wall-discs","title":"Brick Lippan Mud \u0026 Mirror Wall Discs","description":"\u003cp\u003e\u003cem\u003eFrom the village lanes of Kutch, Gujarat, where every exterior wall tells a story in mud and glass, these two discs arrive carrying the warmth of a brick-red desert sunset. Lippan artisans roll and press the clay with their palms before embedding each mirror shard by hand, no two placements exactly alike. The circle is the oldest and most recurring form in Kutchi domestic art.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eKutch is a district that teaches you to look at walls differently. Here, the Lippan tradition, raw clay pressed into pattern, shisha mirrors embedded into the wet surface, is not decorative in origin but devotional. These two brick-toned discs are made by Kutchi artisans who have carried this practice through family lines, now giving it a contemporary scale suited to urban walls.\u003c\/p\u003e\u003cp\u003eArranged together they read as a pair; separated across two walls they still speak the same visual language. The brick tone is deep and grounded, it works against white plaster, aged wood, and dark-painted surfaces alike. The mirrors fracture into points of light as the room shifts around them.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLippan Mud Work · Hand-Set Mirror Inlay · Kutch, Gujarat · Clay on Ply\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNatural Materials\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCollection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThe Art Wall\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cstrong\u003eCare Instructions\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eDust gently with a dry, soft cloth, do not wet.\u003c\/li\u003e\n\u003cli\u003eHang away from direct sunlight to preserve colours and mirror adhesion.\u003c\/li\u003e\n\u003cli\u003eHandle with care, the mirror inlay is fragile.\u003c\/li\u003e\n\u003cli\u003eDo not clean with water or any liquid cleaner.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"House of Taraasha","offers":[{"title":"Default Title","offer_id":52661987737816,"sku":"HOT-WAL-014","price":929.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0845\/6463\/9960\/files\/lifestyle_1_89434d70-37e7-4a5e-b869-1b390bd81d52.png?v=1791780096"},{"product_id":"bastar-naav-wrought-iron-tribal-boat","title":"Bastar Naav Wrought Iron Tribal Boat","description":"\u003cp\u003e\u003cem\u003eThe rivers that thread through Bastar, Chhattisgarh have always been central to tribal life, the boat a recurring motif in the region's visual language long before it appeared in its iron craft. Lohshilp artisans from the Lohar community hammer this naav (boat) from raw iron rods heated over fire, the form emerging one blow at a time. What you hold is both object and abbreviated story.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eBastar's Lohshilp tradition began with utility, tools for farming, implements for hunting, and evolved over generations into an artisanal form language entirely its own. This iron boat comes from that lineage. Forged by hand from raw iron rods, it carries the visible marks of its making: slight variations in line, a surface that reads as textured rather than smooth, mass that surprises you when you pick it up.\u003c\/p\u003e\u003cp\u003eSet it on a shelf or a low table where it can be seen at close range. It rewards looking. 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Made from hand-hammered iron rods bent and welded without molds or casting, the figure holds its precarious pose through nothing more than the maker's calibration of weight. It shouldn't stand. It does.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eBastar's Lohshilp craft has been evolving for as long as the Lohar community has inhabited central India's tribal belt. What began as functional metalwork, tools for agriculture and hunting, grew into a visual vocabulary of figures, animals, and forms drawn from the landscape and daily life of Chhattisgarh. This balancing man sits squarely in that tradition, each rod cut, heated, and bent by hand before being assembled into the final composition.\u003c\/p\u003e\u003cp\u003eThe form is simultaneously playful and precise. It belongs on a desk, a side table, or a shelf where it will be seen at eye level. 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This handcrafted replica was made by a Molela terracotta artist from Rajasthan, a community that has worked fired clay for centuries. The technique of pressing clay into a carved mold and firing it is the same now as it was then.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe original Harappan Peepul Tree seal was unearthed at Mohenjo-Daro and is now one of the most significant objects in South Asian archaeological history, the earliest known depiction of a tree that would go on to be sacred across Hinduism, Buddhism, and Jainism. Under its branches, the Buddha found enlightenment. This artisanal terracotta replica is made by Molela artisans in Rajasthan, who work with the same press-and-fire method that produced the original.\u003c\/p\u003e\u003cp\u003eFramed and ready to hang, it reads as both art object and artifact. It asks the person looking at it to do a small calculation: this image is over four thousand years old, and a craftsman's hands made this handmade version of it last season. The gap between those two facts is what makes the object worth having.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMolela Terracotta · Hand-Pressed Clay · Rajasthan · Harappan Replica\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNatural Materials\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCollection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThe Art Wall\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cstrong\u003eCare Instructions\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eDust gently with a dry, soft cloth, do not wet.\u003c\/li\u003e\n\u003cli\u003eHang away from direct sunlight to preserve colours and mirror adhesion.\u003c\/li\u003e\n\u003cli\u003eHandle with care, the mirror inlay is fragile.\u003c\/li\u003e\n\u003cli\u003eDo not clean with water or any liquid cleaner.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"House of Taraasha","offers":[{"title":"Default Title","offer_id":52661987901656,"sku":"HOT-WAR-009","price":2059.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0845\/6463\/9960\/files\/lifestyle_1_f30b1723-be54-466c-9061-0652fcfd5fec.png?v=1791780099"},{"product_id":"bastar-lohshilp-wrought-iron-tribal-stand","title":"Bastar Lohshilp Wrought Iron Tribal Stand","description":"\u003cp\u003e\u003cem\u003eBastar, Chhattisgarh sits on some of India's richest iron ore deposits, and the communities here have shaped this metal for longer than written records confirm. Lohshilp, the wrought iron craft, began with farming and hunting tools forged by the Lohar ironsmith community, then slowly crossed into art. Each piece is hand-hammered from raw iron rods, no molds, no machines, only the anvil, the fire, and the maker's eye.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThis handcrafted decorative stand is a product of Bastar's Lohshilp tradition, one of the oldest artisanal metal craft forms in central India. The ironsmith community of Bastar has worked with locally sourced raw iron for generations, forging each handmade form by hand over open fires, hammering the metal into shape while still hot. The results carry the marks of that process: slight irregularities in line, surfaces that catch shadow at unexpected angles.\u003c\/p\u003e\u003cp\u003eAs a floor or corner piece it reads as sculpture. It holds its own against a pale wall, the dark iron silhouette becoming more defined as light changes. Iron like this develops a quiet patina over time, a surface memory of the hands and air around it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLohshilp Wrought Iron Craft · Hand-Hammered · Bastar, Chhattisgarh · Iron\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNatural Materials\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCollection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eTribal Stories\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cstrong\u003eCare Instructions\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eDust with a dry, soft cloth.\u003c\/li\u003e\n\u003cli\u003eDo not immerse in water.\u003c\/li\u003e\n\u003cli\u003ePolish brass figurines occasionally with a brass-cleaning cloth.\u003c\/li\u003e\n\u003cli\u003eIron figurines: apply a light coat of mineral oil to prevent rust.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"House of Taraasha","offers":[{"title":"Default Title","offer_id":52661987934424,"sku":"HOT-FGI-003","price":2919.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0845\/6463\/9960\/files\/lifestyle_1_491acac2-a470-460e-9e58-4646c399b2ef.png?v=1791780100"},{"product_id":"harappan-seal-terracotta-rhinoceros-replica","title":"Harappan Seal Terracotta Rhinoceros Replica","description":"\u003cp\u003e\u003cem\u003eThe one-horned rhinoceros appears on Harappan seals more frequently than almost any other animal, evidence that it moved freely across the subcontinent four thousand years ago, long before it was reduced to the narrow corridor of Kaziranga in Assam. A Molela terracotta artist from Rajasthan pressed this clay replica using the same method the original seal-maker used: raw clay, a carved form, and fire. History compressed into the size of a palm.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe Harappan rhinoceros seal belongs to one of the great lost civilizations of the ancient world, discovered at sites across what is now northwest India and Pakistan. The rhino it depicts roamed wide across the subcontinent then; today it survives only in Kaziranga National Park in Assam, a footnote to an extraordinary contraction. This replica was made by a Molela terracotta artist in Rajasthan, a community whose press-and-fire clay work has its own deep lineage, using the original seal's proportions and composition.\u003c\/p\u003e\u003cp\u003eFramed and ready to hang, it carries the particular density of objects that contain more history than their size suggests. The terracotta surface is warm and slightly rough to the touch, the way all fired clay is. It belongs on a wall that gets looked at slowly.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMolela Terracotta · Hand-Pressed Clay · Rajasthan · Harappan Replica\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNatural Materials\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCollection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThe Art Wall\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cstrong\u003eCare Instructions\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eDust gently with a dry, soft cloth, do not wet.\u003c\/li\u003e\n\u003cli\u003eHang away from direct sunlight to preserve colours and mirror adhesion.\u003c\/li\u003e\n\u003cli\u003eHandle with care, the mirror inlay is fragile.\u003c\/li\u003e\n\u003cli\u003eDo not clean with water or any liquid cleaner.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"House of Taraasha","offers":[{"title":"Default Title","offer_id":52661987967192,"sku":"HOT-WAR-010","price":2059.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0845\/6463\/9960\/files\/lifestyle_1_c4501c35-0c29-4939-8e67-2887718fb242.png?v=1791780100"},{"product_id":"green-lippan-square-mud-mirror-wall-hanging","title":"Green Lippan Square Mud \u0026 Mirror Wall Hanging","description":"\u003cp\u003e\u003cem\u003eThe square Lippan panel from Kutch, Gujarat is among the most architecturally rooted forms in the tradition, the geometry derived from the interior walls and niches of bhunga homes in the Rann. Artisans press natural clay onto a ply base, hand-set shisha mirror fragments into the wet surface, and build the geometric relief pattern layer by layer. The green tone comes from natural pigment worked into the clay before application.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eLippan is a craft form born inside homes, the word means to plaster, and the practice of embedding mirrors into mud walls was both protective and decorative in the communities of Kutch, Gujarat. This square panel brings that interior tradition onto a hanging format, handmade by Kutchi artisans who press clay and set mirrors using methods passed down through families in the region around the Rann of Kutch.\u003c\/p\u003e\u003cp\u003eThe green grounds the piece in a color that reads as both earthy and contemporary, it works against white walls, aged plaster, and natural-toned textiles without competing with them. The relief surface is tactile; the mirrors catch and redirect whatever light moves through the room. Hang it singly or as part of a gallery wall with other handcrafted Lippan pieces from this collection.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLippan Mud Work · Hand-Set Mirror Inlay · Kutch, Gujarat · Artisanal Clay on Ply\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNatural Materials\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCollection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThe Art Wall\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cstrong\u003eCare Instructions\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eDust gently with a dry, soft cloth, do not wet.\u003c\/li\u003e\n\u003cli\u003eHang away from direct sunlight to preserve colours and mirror adhesion.\u003c\/li\u003e\n\u003cli\u003eHandle with care, the mirror inlay is fragile.\u003c\/li\u003e\n\u003cli\u003eDo not clean with water or any liquid cleaner.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"House of Taraasha","offers":[{"title":"Default Title","offer_id":52661988032728,"sku":"HOT-WAL-015","price":919.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0845\/6463\/9960\/files\/lifestyle_1_e16332a8-c0c5-440d-ac5b-7d05491381d4.png?v=1791780102"},{"product_id":"dhokra-dancing-girl-harappan-replica-in-brass","title":"Nartaki: Mohenjo-daro Dancing Girl Statue in Dhokra Brass","description":"\u003cp\u003e\u003cem\u003eShe stands barely seven inches tall, one hand on her hip, a necklace at her throat, the original Dancing Girl of Mohenjo-Daro was cast in bronze approximately 4,500 years ago and is now one of the most recognized objects in the world. This replica was made by Dhokra artisans using the identical lost-wax technique: a wax figure built by hand, encased in clay, molten brass poured in, the clay broken away to reveal what the heat made. The same method. The same figure. Four and a half millennia apart.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe Dancing Girl, unearthed at Mohenjo-Daro in the Indus Valley and dated to approximately 2500 BCE, was cast using a technique that Dhokra artisans in Jharkhand, West Bengal, Odisha, and Chhattisgarh still practice today. That continuity is not metaphor; it is material fact. This replica was made by those same artisans using the same lost-wax process: each figure begins as a hand-modeled wax form, gets encased in clay, and is fired until the wax runs out and molten brass takes its place. The clay shell is broken open once. What's inside is what you receive.\u003c\/p\u003e\u003cp\u003eThe surface is the color of aged brass, warm, with the slight granularity the lost-wax process always leaves behind. Set her on a shelf at eye level. She has been worth looking at for four and a half thousand years.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLost-Wax Dhokra Casting · 4,000-Year Technique · Tribal Central India · Brass\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e7x2.25 inches\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNatural Materials\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCollection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eTribal Stories\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cstrong\u003eCare Instructions\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eDust with a dry, soft cloth.\u003c\/li\u003e\n\u003cli\u003eDo not immerse in water.\u003c\/li\u003e\n\u003cli\u003ePolish brass figurines occasionally with a brass-cleaning cloth.\u003c\/li\u003e\n\u003cli\u003eIron figurines: apply a light coat of mineral oil to prevent rust.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"House of Taraasha","offers":[{"title":"Default Title","offer_id":52661988229336,"sku":"HOT-FIG-005","price":2949.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0845\/6463\/9960\/files\/lifestyle_1_39a7d6f0-126d-419f-9ab7-4bbd58c4e3d4.png?v=1791780104"},{"product_id":"vidya-dhokra-brass-woman-figurine","title":"Vidya Dhokra Brass Woman Figurine","description":"\u003cp\u003eBring a piece of Bastar's craft tradition into your home with Vidya, a handcrafted brass woman figurine. Its textured surface carries the marks of the handmade wax model and clay mould, giving it a character distinct from machine-finished decor.\u003c\/p\u003e\u003cp\u003ePlace it on a shelf or console as a thoughtful accent, or choose it as a festive or housewarming gift for someone who appreciates Indian craftsmanship.\u003c\/p\u003e\u003ch3\u003eCraft and material\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eHandcrafted by tribal artisans in Bastar, Chhattisgarh\u003c\/li\u003e\n\u003cli\u003eMade from brass using the lost-wax Dhokra casting technique\u003c\/li\u003e\n\u003cli\u003eEach casting has its own individual details\u003c\/li\u003e\n\u003cli\u003eBrass naturally develops a patina over time\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eCare\u003c\/h3\u003e\u003cp\u003eHand wash with mild soap and lukewarm water, then wipe dry immediately. Do not leave wet or put in a dishwasher. Use a soft cloth and avoid abrasive cleaners or steel wool. To restore lustre, polish periodically with brass-cleaning powder or lemon and salt.\u003c\/p\u003e","brand":"House of Taraasha","offers":[{"title":"Default Title","offer_id":52661992390872,"sku":"HOT-BRS-041","price":919.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0845\/6463\/9960\/files\/lifestyle_1_7e805b2e-183e-4dd9-93af-3ca146cb3886.png?v=1791780147"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0845\/6463\/9960\/collections\/lifestyle_1_20936d25-26bf-458b-a968-1ba01a005e19.png?v=1791914515","url":"https:\/\/in.houseoftaraasha.com\/collections\/decor.oembed?page=3","provider":"House of Taraasha","version":"1.0","type":"link"}